Lionel Shriver interview: Me and my Money

Lionel Shriver is the author of 16 novels, including the international bestseller We Need To Talk About Kevin (2003).

It was made into a film of the same name for which Tilda Swinton was nominated for a Best Actress Bafta Award and a Best Actress Golden Globe Award in 2011. Her books have been translated into 28 languages. 

Now 66, she lives outside Lisbon with her husband, jazz musician Jeff Williams.

What did your parents teach you about money?

Not to spend it! They were very frugal. In the latter part of my life, what has been difficult for me is learning to spend money. The problem with the saving mentality is that it is fundamentally based on a misconception of immortality, especially as I don't have any children and at a certain point, you have to realise that it's merely a means to an end. When you're a saver, that's hard to understand.

Roxy Dunn interview

Video interview with Roxy Dunn, first time author of novel As Young As This, published by Penguin on 6th April 2023.

Elliot. Joe. Tommy. Nathanael. Wren. Oliver. Malik. Zach. Frank. Patrick. Noah.

These are the men Margot has loved, liked, lusted over. Since she was seventeen, she's pictured them like stepping stones - each one bringing her closer to finding someone to share her life with and, eventually, father the children she's always imagined in her future. From her first sexual encounter, to her first love, from grown-up dilemmas to spontaneous thrills, she's soaked up every experience available to her, discovering friendship, joy and despair.

As Young as This is a debut aimed at fans of Dolly Alderton, Meg Mason and Monica Heisey. Roxy is joined in conversation by literary journalist Alex Peake-Tomkinson as they delve into the ways that people shape us, the plans we make for our lives, and what it means to let go.

“A young woman’s life, told through the men she has dated. With glorious attention to detail and emotional fluency, Dunn charts the ways in which we are built and broken by love.” Pandora Sykes

“Raw, funny and beautiful…a really gorgeously observed novel about youth and womanhood.” Daisy Buchanan

Clear by Carys Davies

Carys Davies grew up in Newport, south Wales but her novels have been set in 19th- century Pennsylvania (West, 2018), contemporary Ooty in India (The Mission House, 2020) and now a small island off the north coast of Scotland in 1843. Her short stories have been set variously in the Australian outback and Siberia. She has said that when creating a fictional world, ‘I seem to require a certain kind of distance from my own life’.

On an island ‘between Shetland and Norway’, a man called Ivar lives in isolation, talking only to Pegi the horse, whom he calls ‘old cabbage and a silly, odd-looking person’. One day he finds a man naked and unconscious on the beach below the cliffs. Even after the man regains consciousness, he and Ivar do not share a common language, so communication between them is halting. The newcomer is John Ferguson, a church minister who has been sent to evict Ivar so that the land can be used solely by grazing sheep.

Green Dot by Madeleine Gray

Hera, the heroine of Madeleine Gray’s first novel, is 24, which, as she says, ‘seems young to most people but not to people in their mid-twenties’. She lives in Sydney with her father and their dog and works as an online community moderator, but the contents of her work bag reveal her to be Bridget Jones’s edgier little sister: ‘My wallet, three pairs of underpants, headphones, nine tampons, a travel vibrator, two novels, a notebook, two beer caps, a bottle of sake and a fountain pen.’ She will also inevitably be compared to Hannah from Lena Dunham’s Girls and to Phoebe Waller-Bridge’s Fleabag.

Gray’s writing style is droll but if Hera’s internal monologue sounds gauche and affected, it is useful to remember what the average 24-year-old sounds like. When she tells her closest friends her feelings, she reflects to herself: ‘I’ll speak it now and work out if it’s honest later.’ Her cynical schtick is not always palatable, particularly when she describes a colleague as having ‘the embodied exhaustion of a Holocaust museum tour guide’.

Tackle! by Jilly Cooper

Jilly Cooper, queen of the British bonkbuster, has turned her attention to football for her 18th novel. She was inspired after sitting next to Sir Alex Ferguson at lunch one day. She also thanks Kenny Dalglish, Alan Curbishley and ‘my wonderful neighbour’ Tony Adams in her acknowledgements. Her friend, the former home secretary Michael Howard, even took her to a Liverpool match, where she met Steven Gerrard. 

Her legions of fans need not worry, however. We are still in Rutshire, the village Cooper created for her earlier novels; Rupert Campbell-Black, the hero of Riders, Rivals and Mount!, who was allegedly partly modelled on Andrew Parker Bowles, still lives in Penscombe Court, ‘his beautiful, gold Queen Anne house’; and he is still ‘Nirvana to most women’, but now in his sixties and distraught over his wife Taggie’s breast cancer.

Playing Games by Huma Qureshi

Playing Games is Huma Qureshi’s fourth book and first novel. Born in the UK into a family of Pakistani heritage, her previous works include a memoir, How We Met, and a collection of short stories, Things We Do Not Tell People We Love, which featured women of Pakistani origin unable to communicate honestly with the people closest to them. Her memoir told the story of how, after trying Muslim-specific dating websites with no luck, she met and married her husband, a white Englishman who converted to Islam to be with her.  Playing Games seems, on the face of it, a change of direction, barely touching on religion or cultural concerns. It focuses on two sisters in their early thirties living in north London: Hana, a married lawyer, and her younger sister Mira, who works in a coffee shop and lives in a crappy house share while trying to write her first play. Their mother, an art teacher, died 11 years ago, something both sisters are still wrestling with. Hana has fled from any kind of artistic endeavour and runs her life with obsessive control, while Mira is happy to pursue a larger dream.